Tell me about Mona’s culture (part 4)

What follows are excerpts from an interview I gave some months ago. I’ve condensed it to a five-part series, which I intend to published over the next week. I hope it will provide insight into the world I created with the ‘Mona Bendarova Adventures’. Feel free to comment on the link at the bottom. I welcome your insights and opinions.


With hundreds of female submissives within each house, women serve in roles best suited for their talents. Outside of delivering offspring, they maintain the house, care for offspring, work the slaughterhouse and prepare the meals. They serve as maids and valets, greeters and waitstaff, landscapers, drivers, and trainers. They serve their Master and house guests, satisfying both carnal and nutritional needs as necessary.

woman holding flogger behind neckMany are also playmates to their masters, be it in bed or the playspace, each serves and submits, each according to their talents. From birth to maturity, regardless of sex, everyone is trained on attitude and techniques in pleasuring sexual partners. By the time they are attached to a house, members have the necessary training to attend to required duties.

Take Mona for example. She is an extreme masochist. As a pain slut, she relishes torment delivered by the hands of her Master, her body building to climax and orgasm. To her, it’s a good kind of pain that her body desires and demands. Submitting to Master Charles is an event she eagerly looks forward to and deeply misses when withheld. The same eagerness resides in each of the submissive women, though their desires may differ from one to another.

Unfortunately, attachment to a house is not a foregone conclusion. Assuming they survive to puberty, they are subjected to a battery of training and testing. Despite excelling in their training, if they are not selected to a house, their usefulness diminishes. Without the security of a house, conversion is usually the next step in their journey. Nothing is wasted and their contribution to society is complete.

In my next post, I’ll finish up my description of her culture.

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Tell me about Mona’s culture (Part 3)

What follows are excerpts from an interview I gave some months ago. I’ve condensed it to a five-part series, which I intend to published over the next week. I hope it will provide insight into the world I created with the ‘Mona Bendarova Adventures’. Feel free to comment on the link at the bottom. I welcome your insights and opinions.


As I wrote the last time, women are genetically born to be naturally submissive to their Masters. It’s in their genes. Membership of a house brings residents security and protection at the expense of becoming the property of the house.

5045638_sResidents bound to the house, serve the needs of the house. They can be traded, transferred, and converted. Males are not immune to this practice either. They too are bound to their estates and are routinely converted when their usefulness to the house and community comes to an end.

Masters are charged with the care, feeding, and nurturing of everyone within their house. They must take care of basic necessities. They must give them an opportunity to grow as a person and rise above their eventual fate. Take Mona for example. As revealed in Book 1, she is already holding a senior rank within her house. She is a Senior Lead Investigator within her Master’s security business. She has a private office and staff to support her. Over the course of the series, she grows and matures, and in Book 3, ‘Lucky Bitch’ becomes the Master of her own house.

The primary responsibility within a house is the birthing new members. The sex of the offspring is less important as the need to keep up with live births. Birthing a male child is a rare event, inducing a time for caution as well as celebration. Hopefully, it will survive to maturity though the odds are greatly against it.

Men are encouraged to have sex with as many fertile women within their house to minimize inbreeding. Frequent community celebrations encourage diverse carnal liaisons among attendees to further diminish inbreeding. Certainly Mona, as Master of her own house, has a problem when it comes to this responsibility. However, she has a plan.

Out of responsibility rather than desire, men also make monthly rounds of the breeding centers, naturally depositing their seed in ovulating women, impregnating as many as possible. Over time, males tend to tire of this arduous duty and can fall behind in their duties. However, few fail to perform their duty for fear of increasing the risk of their own conversion.

In my next post, I’ll continue my description of the culture Mona lives in.

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Tell me about Mona’s culture (Part 2)

What follows are excerpts from an interview I gave some months ago. I’ve condensed it to a five-part series, which I intend to published over the next week. I hope it will provide insight into the world I created with the ‘Mona Bendarova Adventures’. Feel free to comment on the link at the bottom. I welcome your insights and opinions.


Following the ‘Purge Plague’ and over hundreds of years, societal rules changed to accommodate the new reality. War, religion, and social injustices fell by the wayside. Gone also was the concept of money, love, marriage, and monogamy. In Mona’s contemporary time, they simply have no comprehension of these concepts. Survival of the species became paramount.

Earth of two mindsThe last-ditch effort to save the human race through gene manipulation caused other consequences and society continued to adapt. People perished by the billions. Genetic changes within females caused them to become extremely submissive to males while males suffered extremely high mortality rates. Within two generations, population disparities between men and women became extremely unbalanced. Within a century, only one male in 10,000 survived to adulthood, leaving about 66 men for every million women.

To compensate, a system arose to regulate and deal with progeny and food supply. Live births surviving to maturity are graded and categorized for the quality of their meat. Meat that one day will feed their community. To ensure fairness, an elaborate system developed to secure equitable conversion processing among everyone. Out of necessity, progeny remained unnamed until maturity and bound to a house.

With the dissimilar distribution of men to women, society accommodated the shift by distributing a single male and master per estate.

The Master became ‘the dominant and the deciding authority’ in all things related to their house. The rest of the residents of a house were generally women. While women could rise to become the Master of a house, admittedly, this was a rare event. Otherwise, women submitted to the needs of their house and Master.

In my next post, I’ll expand upon the consequences of past decisions.

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Tell me about Mona’s culture (part 1)

What follows are excerpts from an interview I gave some months ago. I’ve condensed it to a five-part series, which I intend to published over the next week. I hope it will provide insight into the world I created with the ‘Mona Bendarova Adventures’. Feel free to comment on the link at the bottom. I welcome your insights and opinions.


Mona’s Culture? What an interesting question.

Estate HouseMona lives in a feudal world set thousands of years in our future. She lives in a world without a central power or government. Instead, her community consists of loosely linked estates, commonly called houses, each named after the owner of their estate. Residents who live on the estate refer to the owner as ‘Master’. Loosely tying the estates together, is Club Lothario. The club acts as a central meeting-house, civic center, and relaxed governing body. The club acts to ensure each house meets their quota to the community.

Their culture evolved to deal with a near extinction event more than a millennium in the past. Cultural roots go back to a time when gene manipulation of the food-producing animals and plants was common place. Eventually, larger profits were sought, mistakes were made and aggressive genome manipulation ran out of control. Unsurprisingly, the plague nearly wiped out all life on Earth.

The ‘Purge Plague’, as it was later called, caused in the extinction of every insect, animal and most of the edible plant life, leaving the planet devoid of any and all sources of consumable protein. As the plague ran on over decades, the world was quickly stripped of life. Humans were about to follow suit.

Through extraordinary and expensive measures, scientists at the time were able to halt the extinction of the human species. In one massive, last-ditch effort of gene manipulation, the human race was saved.

Despite halting the extinction, the stigma of genetic manipulation survived. Over time, the idea of gene splicing was abhorrent to the population. It didn’t take long before all gene manipulation was banned all around the world.

As with all actions, there are consequences. The most significant consequence was, in order for humans to survive, they learned to consume the only source of protein available … themselves.

In my next post, I’ll expand upon how their culture evolved.

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On the Mona Bendarova Adventures

Do you like the genre of science fiction? I am not a fan yet if a story has character development, conflict and some resolution, I am interested. That is what I have found reading Richard Verry’s ‘Mona Bendarova Adventures’.

IMG_20160617_111433I guess I have to wait for the third book in the series, ’ Lucky Bitch’, hoping there is some resolution for the main character, Mona. I am hoping the author will introduce new characters and more conflict. I truly enjoyed his first two books where I met and immersed myself  into the characters he introduced. All you had to do was mention a character name and I could tell you how the character relates to the story. That is a credit to the author, Mr. Verry, who vividly created the characters and the story.

In the midst of these stories, Mr. Verry describes a future world where his characters come alive and live. Again, I can understand his vision knowing I have been drawn in by the characters and the world they occupy. Like ‘Star Wars’ and most recently, ‘Independence Day’, we need to see these types of movies soon after they are released. I am okay with it since I can identify with the characters even if the setting is in the future.

So for those that love character development no matter what genre it is in, take a leap of faith in reading ‘Mona Bendarova Adventures’ and enjoy the world that the author created. I can affirm to you that you will embrace these characters and the books. Start with a ‘Taste of Honey’ and follow it up with ‘Broken Steele’. ‘Lucky Bitch’ will soon follow.

I honestly can tell you that I am looking forward to reading it.

Janet M.

Rest assured, I’m still with you.

Just a quick note to let you know, I’m still here. I’m recovering nicely. As I am able, I am working on a five-part post that I hope to publish next week.

In this five-part post, I will be exploring the culture that Mona Bendarova lives in. For most of you, you know that Mona is the lead character in my series of novels called ‘The Mona Bendarova Adventures.

Taste Of HoneyIn the first two books, ‘The Taste of Honey‘ and ‘Broken Steele‘, I tell a story of a woman in another time and culture. She lives in a world very different from the one we live in today. Yet, it is plausible on so many levels. The third book in the series, ‘Lucky Bitch‘, continues to explore this culture, and I hopefully will have it out this fall. Be sure to look for it.

When you read the stories, you’ll wonder, could the world she lives in, really happen?

Check it out and let me know what you think.

In the meantime, dinner’s on the table. Time to eat.

One Week Left

Less Than One Week Left in the 50% off Summer/Winter Sale for ‘The Taste of Honey‘. Don’t miss out. Sales ends midnight, July 31, 2016. 50 %off only at RichardVerry.com and Smashwords.com.

When you read this story, you’ll ask yourself this question. “Could this really happen to us?

Find out how the human race survives 3D

Classifying my books

The last couple of days, I have been writing about how different my books are. I also wrote that I intentionally wanted to write books that were different from others. I wanted them to stand out from the rest out there.

To me, this is a good thing. I didn’t want to write something that stood out. That’s the thing about me. I don’t consider me as being ‘vanilla’. There are aspects to me that don’t fit the mold that society likes to fit each of us into.

The same goes for my books. As best as I can tell, they don’t fit into the nice and neat classifications that the publishing industry established.

And that’s a problem.

What do I classify my books so that you, the reader, can find them.

Certainly, they are fiction. After that, what?

I can tag them as erotica but are they really? I tag the Mona Bendarova books as mystery/suspense. They are … and yet not, at least in the traditional sense. Some people have told me that they think they are SciFi. I never thought of them that way but I can see how they do think of them they way. I sometimes think of them as a utopia but it could also be a dystopia.

My other books reflect stories of criminal acts but are they really crime novels? Since they also include sexual acts are they erotica? I don’t think so and from everyone I’ve contacted, they agree. Maybe ‘Dark Erotica’ but not everyone allows that classification.

So, what are they?

Any help would be appreciated. Write me and tell me your opinion. I appreciate your opinion.

Since my books are different and other musings

Broken Steele book cover 6x9 The Taste of Honey book cover 6x9First off, thank you to the fine folks who purchased my books, ‘The Taste of Honey’ and ‘Broken Steele’ in the past week. They were purchased right after I saw stars and suffered a significant concussion. I’ve been offline a lot since then, so I missed it. Thank you. I hope you are enjoying them. Be sure to look for the third book in the series ‘Lucky Bitch’ due out very soon.

Speaking of seeing stars (details will be found in a post I did earlier in the week), I resting as I recover. Frankly, it’s driving me crazy, sitting around being so inactive. Normally, I have lots to do, my day filled with activity. Until a day or so ago, even sitting at this computer and writing was problematic. But, just so you know, I’m on the mend and I’m looking forward to getting back to a normal life.

What I really want to write about today is how my books are different. In my last post, I wrote how I hoped my books were different from others on the market. That was my intention when I wrote them. I wanted to find my niche in the market. I believe I have succeeded.

However, being different and unique is a blessing and a curse. While I love writing these stories, marketing them is another story. First, though, let me give you a little background as I understand it. I could be mistaken in some of my understandings so I welcome comments correcting me.

The publishing industry is going through significant changes, just as the music industry did. The jury is still out on how it will shake out. For me, and thousands like me, this is a good thing. We authors are not dependent upon a relative few to publish our work. We can publish them ourselves, market them ourselves, and earn royalties on our creative works.

I find the indie-publishing aspect relatively easy. It took a while to figure it all out but with six unique selling published works, I’ve figured out the formula for getting them published.

I can write a book, I can publish a book. Two down, one to go. Marketing a book.

This I find is the hardest of all. Even though I am a college grad with a Master’s Degree, I did not learn much about marketing. I suck at it and I know it. Which is why I depend on others to help me.

The biggest problem I need to figure out how to overcome focuses on targeting a specific audience. That means, how do I find you? If you are reading this post, I’m ecstatic. It means I have already found you. But how do I find more like you?

Word of mouth is ‘the’ thing that everyone agrees with. So, I ask you. Will you help me? Will you spread the word, talk to your friends, neighbors, coworkers, the waiter who pours your coffee, and every man or woman on the street you come into contact with? Can you get people to like my website and my facebook page? Ask them to follow me on facebook (richardverryauthorartist), or twitter (@richverry), or my blog (richardverry.com/#subscribe). Thank you.

Next time, I hope to write about how I think my books are different and how to categorize them into the slots the publishing industry places them in. It’s a murky road, fret with thorns and brambles. Perhaps you can help me there too.

Feel free to write me and share your opinions.

Spread the word.

How are my books different from other books on the market?

Are they different? I certainly hope so. I spent a long time trying to find storylines that others hadn’t already written about. So, yes, they are.

First, a little background. I am an avid reader. I’ve been reading since I can remember, somewhere about the age of six. By the time I was in 4th grade, I had read every ‘Hardy Boys’ books, every ‘Nancy Drew’, ‘Tom Swift’ and hundreds of others. I’ll never remember them all. I just remember having a voracious appetite for books.

Book-3D-loopI lived in worlds that others had envisioned. Worlds that either exists or could exist. I found ‘Star Trek’ when it first aired. I was reading all sorts of Science Fiction by then. ‘Star Wars’, ‘Battlestar Galactica’, ‘Firefly’, ‘Dr. Who’ and a host of others was easy to love. SciFi isn’t the only genre I like to read. I like to read historical dramas, erotica … well … let’s just say, fiction of all sorts.

Why am I telling you this? It’s because when I decided I wanted to write a novel, I didn’t want to redo what others had done. I knew I could write something in those worlds that was plagiarizing someone else’s work. I just didn’t want to write something remotely similar to everything I’ve ever read. I wanted something new, fresh and even controversial.

I came up with at least two different genres. One is brutal, graphically depicting the depravity of the human race. The other is a world where people respect, honor and support each other … well, most of the time. What’s a story without conflict? Both are paranormal fantasies.

I particularly like Mona Bendarova’s world. There is no war, no religion, no self-righteous do-gooders who push their agenda on others. People live in harmony, enjoying life to the fullest and sacrificing when necessary to ensure the continuation of the species.

What makes them different? I try to tell it real. I don’t like dancing around a scene. I’ve read a lot where the author paints a grand scene leading up to ‘the’ moment, only to fast-forward to the next scene. I hate that. I am left wanting and unfulfilled. I can be angry that the author chose to dance over the real action.

As in my paintings, I try to depict realistic scenes; be it sex, violence, love, or simple conversation. My scenes can be raw. They can be soft and sweet. What makes them different is that they are complete, uncensored depictions of human nature. It’s the real deal.

If you like realism, if you like the complete story, if you like the uncensored version, you’ll like my books. Enjoy and let me know what you think. I’m always interested in hearing what you, the reader, has to say.